I read a short essay about how Robert Aldrich’s Autumn Leaves (1956) is “unapologetically optimistic” about the “idealism of modern medical science,” but when I watch it, I see the opposite.
Movies, Movies, Movies
Movies, Movies, Movies
Movies, Movies, Movies
I read a short essay about how Robert Aldrich’s Autumn Leaves (1956) is “unapologetically optimistic” about the “idealism of modern medical science,” but when I watch it, I see the opposite.